Vocalist Live Harmony Owner's Manual download pdf (Page 32)

1 3RD ABOVE A simple 3rd above your lead vocal. Great for 60s duet folk songs.

Utilizes a stereo chorus effect for the guitar.

2 3RD BELOW The same preset as #1 but now the harmony is a 3rd down from the

lead vocal.

3 3RD DN UP Features harmonies a 3rd above and below your lead voice.

4 CSN Contains three part harmony: your lead vocal and a 3rd and 5th

above to create a triad. Notice that VST GALS is used for the voice

style. Female vocalists should probably use VST GUYS to keep the

harmonies sounding natural and not too high.

5 GALS GUYS Uses a 5th down and a 5th up to create male/female harmonies.

6 BLIND BOYS Very gospel-like, and utilizes a 5th down, 3rd down, 3rd up and 5th

up. Including your voice, you have 5 part harmony. The lead vocal ef-

fect is a bigger persona to give you a huskier older male vocal.

7 TAKE 5 Feels like a jazzy vocal group. Uses a 5th down, 3rd down, 3rd up,

and 5th up plus your voice to create 5 part harmony. It also uses the

musIQ

Alt harmony variation feature to sound jazzier.

8 BASS ALTOS Covers the lower ranges of male vocals with an Octave down, 5th

down and a 3rd down from the melody vocal (your voice). Also uses

a stereo chorus effect on the guitar.

9 TENORS Covers the middle and higher ranges of male vocals with a 5th down,

3rd down and a 3rd up from the melody vocal. Also uses a mono

chorus effect on the guitar.

10 LITE WORLD Utilizes three part harmony (3rd above / 5th above) with a unison

vocal to help thicken your voice. Also uses a stereo chorus effect on

the guitar. Chromatic pitch correction is used.

11 CAN WE STL This preset and the next one both use female backing vocals, a 3rd

down (doubled) and a 3rd above (doubled), and a stereo chorus

effect on the guitar. Try using it on the verses of a song. Chromatic

pitch correction is used.

12 BE FRIENDS Covers a higher vocal range with a 3rd above, 5th above and an oc-

tave above. Also uses a stereo chorus effect on the guitar. Try using

this preset on the “la la la” part of a song.

13 ALT HRMNY Uses the ALT variation again with a 5th below, 3rd below, 3rd above

and 5th above, and some pitch and timing variations.

14 BIG GOSPEL Offers a different variation of gospel backgrounds than the BLIND

BOYS preset. It doubles the 3rd below and 3rd above to fatten up

your sound. It also uses the bigger persona to give you a huskier

older male lead vocal. Chromatic pitch correction is used and a

tremolo effect is used on the guitar.

15 PURPLE RN Uses a thicker stereo chorus effect on the guitar and a smaller

younger lead vocal effect. Utilizes a mixture of male and female back-

ground vocals with doubled 3rds below and 3rds above.

16 BIG GUY The ultimate blues singer preset. Great for singing bar-room blues

and R&B standards with that big blues voice.

17 4 UNISONS Takes all the harmony voices and puts them to unison to create a fat

thickening effect.

Preset List

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Vocalist Live Harmony Owner's Manual Page 32

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